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良宵苦短

剧情片美国1941

主演:查尔斯·博耶奥利维娅·德哈维兰宝莲·高黛维克托·弗兰森

导演:米切尔·莱森

剧照

良宵苦短 剧照 NO.1 良宵苦短 剧照 NO.2 良宵苦短 剧照 NO.3 良宵苦短 剧照 NO.4 良宵苦短 剧照 NO.5 良宵苦短 剧照 NO.6 良宵苦短 剧照 NO.13 良宵苦短 剧照 NO.14 良宵苦短 剧照 NO.15 良宵苦短 剧照 NO.16 良宵苦短 剧照 NO.17 良宵苦短 剧照 NO.18 良宵苦短 剧照 NO.19 良宵苦短 剧照 NO.20
更新时间:2024-04-11 15:39

详细剧情

  乔治(查尔斯·博耶 Charles Boyer 饰)是一名拥有罗马尼亚血统的法国人,为了能够赚钱养活自己,乔治如今在墨西哥从事着出卖自己身体的行当。乔治最大的梦想就是有朝一日能够前往美国,获得美国的国籍,摆脱自己可悲的过往,为此他制定了一个周密的计划。
  乔治决定找一个美国女人结婚,这样他就可以顺利成章的成为美国人,然后再一脚将这个可怜的女人蹬掉,之后接自己真正心爱的女人阿妮塔(宝莲·高黛 Paulette Goddard 饰)来美国一起生活。虽然不愿意将爱人拱手让人,但阿妮塔知道,想到得到任何东西,首先都得付出些什么。很快,乔治在美国就遇见了名为艾米(奥利维娅·德哈维兰 Olivia de Havilland 饰)的女子。

长篇影评

1 ) [Film Review] Hold Back the Dawn (1941) 7.1/10

From the propaganda mill of Tinseltown, Mitchell Leisen’s HOLD BACK THE DAWN unashamedly posits USA as the ultimate safe haven for the war-ridden continental Caucasians, impeded by the quota number foisted upon each country, those wannabe-immigrants languish in the Esperanza Hotel at the Mexican border, waiting for their visa being granted, which could take years, torn by the so-near-yet-so-far anguish but there is nothing else they can do but waiting. Yet that is not the case for Georges Iscovescu (Boyer), a gigolo with Romanian extraction, all he needs is to marry a wide-eyed American girl from whom he can subsequently divorce once he lands his feet on the Land of Freedom. Said eligible girls are at a premium on this side of the border, once Georges sets his eyes on the demure schoolteacher Emmy Brown (de Havilland), he knows he has found the perfect prey, and he has only one night to charm her into wedlock, he manages to do that through plausible blandishments, his requisite survival skills which he has been practicing from one skirt to another in another continent, and a corn-fed simpleton like Emmy has no immunity to his effusive, exotic affection, she is swooned with glee and is reborn as a newly-wed totally overwhelmed by the whirlpool of romance, her naivety is achingly touching watched by spectators in the know, with the tingling anticipation of the earth-shattering moment that will dash her reveries and crash her to the core, meanwhile hoping Georges will have a change in his cold heart, after all, Emmy represents the paradigm of an American wife, a merchandise catering for all men whose path have been lead astray, here is your chance to turn on a new leaf of your sorry life! Ms. de Havilland is as per usual, a virtuous ingenué has no single morsel of vice in her chromosomes, and arrestingly holds court when she gracefully nails the clincher by swallowing the hard truth but also admitting her own inanity in this “it takes two to tango” flimflam, a second Oscar nomination is a sublime payoff. Mr. Boyer, whose Janus-faced fickleness, which would be canalized into great terror in George Cukor’s GASLIGHT (1944), only intrigues us for half of the movie’s length as it is superseded by a hangdog impression after his conscience gradually catches up with him. Also top billed, Paulette Goddard’s Anita Dixon, Georges’ former dancing partner, fares less eloquent as the brazen gold-digger who has to take on the ignoble job of dishing the dirt out of petty jealousy, then, there is always Walter Abel’s dogged, brisk Inspector Hammock, who dutifully fishes for unholy unions on the scorching turf, and a snippet about the pregnant Ms. Kurz (DeCamp) laboriously tries and succeeds in going into labor on the USA territory, so that the newborn infant can be born as a natural American citizen comes as a bittersweet divertissement and underlines the quagmire of a larger picture. While the movie does lose some zest and credibility in the latter stage when the narrative hastens toward a contrived happy ending (yes, dictating your story to a Hollywood filmmaker to get some quick cash is not just lazy but desperate writing, Charles Brackett and Billy Wilder are the scribes no less!), HOLD BACK THE DAWN is at any rate, a highly watchable melodrama with a romantic spin angling for those of soft-centered persuasion. referential entries: George Cukor’s GASLIGHT (1944, 7.2/10); John Huston’s IN THIS OUR LIFE (1942, 6.8/10).

短评

花心男爱上纯情女的故事,男主查尔斯博耶德个人气质太迷人了,使得自己居然接受了本片狗血的人物设置。

5分钟前
  • 百草味
  • 推荐

后半段女主把眼镜戴上注视查尔斯博耶的时候我竟然有点泪目了。其实应该是挺精彩的群像戏,内核也应该更深入,但囿于那个年代的创作技巧吧。ps查尔斯博耶太太太太太性感了,看着他的侧脸我就快呼吸不能了。

9分钟前
  • 2毛
  • 还行

有些慢热,意外地动人。探班I Wanted Wings怎么不顺便展示下Ronnie同学在现场是如何difficult。

13分钟前
  • Caneloni
  • 推荐

为了移民煞费苦心这事在哪个年代都一样。。。这个剧情比后来的《绿卡》复杂一些,不过用“讲故事”的方式开头实在有点太偷懒了。奥利维亚竟然凭这个角色拿过女主提名。BTW,这剧情是不是和Wilder个人经历有关?

17分钟前
  • \t^h/
  • 还行

Goddard可太美了…Boyer一如既往地做作又性感

20分钟前
  • 索勒达
  • 还行

天呐!查尔斯鲍耶年轻的时候居然这么帅! 实力演绎浪子回头金不换hhh

23分钟前
  • 玛丽安别哭
  • 推荐

姐姐演了一次妹妹擅长的角色

24分钟前
  • 九毛
  • 还行

美国移民 不管是哪个国家 都有过类似剧情 人还是要善良最重要。

29分钟前
  • 江湖片子
  • 推荐

感觉怀德是融入了亲身经历or见闻吧,这个故事放到当下也毫不过时,甚至可以说颇有“教育意义”(褒贬均可)

31分钟前
  • 黑特-007
  • 推荐

3.5星,算是写得比较高级(讨巧)的情节剧吧,相信怀尔德一定融入了自己的亲身经历,之所以说他高级是因为他并没有像一般情节剧那样只有狗血的剧情而主角的性格层次却很单一,影片在男主角的塑造上还是下了功夫的这个人物具有一定的复杂性,双重性格明显,在善与恶之间他险些被自己所吞噬。。。故事结构也比较平衡,让这种狗血在一定程度上成了一种浪漫。。。应该说怀尔德是深谙情节剧之道并且又不甘于情节剧吧。。。PS现在一说起情节剧几乎都是鄙视的口吻其实在最好的情节剧与最好的悲剧间加以比较的话,就可以看到他们之间的很多相似性。。。

35分钟前
  • 秦诺诺
  • 推荐

德哈维兰的角色生造感有些重,仿佛是为了男主的故事而存在的一种类型女性形象,表演也无法使其更有信服力。

39分钟前
  • WillGoWild
  • 还行

人物性格有点一出一出的,稍欠连贯。但很好看,伏笔铺陈得很是动人,边界上的那一道铁门也真实有份量,让几十年后的跨门人依然心有戚戚。

41分钟前
  • Finrod
  • 推荐

Absolutely gorgeous cinematography and production design. 那种很有质感的黑白和光线,看得好喜欢! 剧情就韩剧鼻祖了,melodrama,但是配角都演得很不错很有意思。“I put it on your finger when you were sleep"那段简直不能再暮光之城了哈哈哈哈

45分钟前
  • 嘿哈
  • 还行

伊斯科韦斯库全程没什么热度的表情,就算是甜言蜜语也听不出丝毫发自于肺腑,艾米老师却被迷得神魂颠倒,一点儿疑虑也没有,真以为捡了个大宝,这种设定似乎不太靠谱,但他们之间的一冷一热过度到了热的统一,爱情现出了它的感染力。

48分钟前
  • 醉梦·聊生
  • 推荐

傻白甜专治各种渣男和阴阳怪气!后半段比较精彩,感谢甜蜜电影字幕组,这个名字和电影居然真的搭

50分钟前
  • 屋子小混混
  • 推荐

5.5/10 这剧本真是够呛。男主表演之作态还不如修车司机且完全get不到他的魅力点。女主设定虽然简单但是演的挺好,女配角色走向之单薄费解浪费了这个人设……

53分钟前
  • ruyine
  • 还行

德哈维兰个小恋爱脑太可爱了,雨刷器发出的声音是together together together哈哈哈哈哈哈,查尔斯博耶就是很有气质啊,虽然都有谢顶趋势皮肤又粗糙,给人安全感但不油腻的类型。开头串场金粉银翼有趣。

57分钟前
  • lessspicykiss
  • 还行

博耶主演,这片可以和《煤气灯下》对比来看,都是男主利用女方的涉世未深拿婚姻作为工具达到个人的目的,不同的是,《煤气灯下》是纯粹的谋财害命,本片则是先婚后爱,男主在和女主相处的过程中逐渐被吸引,两人旅行蜜月那段确实培养出感情来了。另,宝莲·高黛好似红玫瑰,热恋带刺。奥利维娅·德哈维兰就像白玫瑰,纯洁善良。博耶风度翩翩的形象,生动演绎了什么是男人的嘴,骗人的鬼,试问能有几个女人能抵挡得住爱情骗局?

58分钟前
  • ofelia11
  • 推荐

前面很慢热,后半段倒蛮感人的。就是男主颜值实在没有说服力。

60分钟前
  • AmiLees
  • 还行

倜傥的骗子出手“猎杀”小女孩,结果却fall in love wit her and change his mind, then happy ending is coming. 小女孩还是太好骗了,只是几句甜言蜜语就掉入了陷井,真是少女们都渴望童话里的爱情:sometime, somebody, somehow to be in front of me and say that he loves me. 话说40年代美国身份就那么吸引人了,到了美国就是天堂吗?等批准的人们形形色色,怀孕的妈妈真聪明,竟然把孩子生在了大使馆,如此孩子是美国人,父母就可以随过去了,那时候老美还是更nice一些...话说风格已经很有比利怀德的影子了,比如修车铺小哥,比如淘气的孩子们,比如狡猾的追车过程,呵呵

1小时前
  • 新晋小愚
  • 推荐

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