Hungarian Rhapsody (Magyar Rapszodia) is the first chapter of director Miklos Jancso's two-part dramatized history of Hungary, from the turn of the century, to World War II. The story is told from the vantage point of Gyorgy Cserhalmi, the son of a wealthy landowner. During World War I, Cserhalmi is instrumental in quelling an army mutiny. Upon realizing that he has been responsible for the deaths of several peasant conscripts, Cserhalmi vows to be a "man of the people" when hostilities cease. He joins a communist cell, but finds he is woefully out of place. Throughout the 1920s and 1930s, Cserhalmi's political viewpoint is governed almost exclusively by his vacillating emotions. The film is enhanced with a "Russian Roulette" leitmotif, not unlike the fatalistic throughline of Michael Cimino's The Deer Hunter. Director Jancso followed Hungarian Rhapsody with Allegro Barbaro; both films were originally released in tandem, then redistributed as separate features. ~ Hal Erickson, All Movie Guide
运动长镜逡巡游
小体积刷 重置一定相当美
缅怀杨老师。
一遍哪够
赶羊式长镜头
6800达成。[2019年12月杨索√] 杨大爷就是从这一部开始flop的……当然这部片子很长时期是“幻之作品”直到KG上有人转了一个录像带。片源还是当年豆瓣大神快刀浪子搞过来的。一直没有仔细看,等到仔细看了也不觉得值得仔细看……首先是视听上面还是杨索标志性的那几招,几个区别是1)用了升降机;2)有很多交叉剪辑,之前在杨索的片子里交叉剪辑简直是不可思议的;3)对水有相当有趣的运用,之前不太用到水面;4)有几处超现实的升格画面,大致可以被解释为闪前。片子在杨大爷的作品里算格局大的(场景比较多,还包括一个战壕的场景),不过……也就看看magic hour吧……
借地。《第七号狂想曲》。
有史以来最差字幕 毛都没看懂
运动长镜穿堂入室,如入无人之境,游弋在屋角长廊,逡巡在表情眼神,保持镜头内叙事完整;拉到全景,相融于环境,不折不扣的现实主义;不少90度镜头。
相当难看
“明天我们将成为一个自由人,他千年的暴虐将没法再撒在人民头上”——羊馊的逡巡游弋赶羊长镜头,这一部像在流水赶过场。
风是孤独的旋律
运动长镜与狂欢
第一部杨索,比较无感,大致可以看出贝拉·塔尔的青出于蓝而胜于蓝。算是半部音乐剧,几次打斗甚至有点滑稽……“赶羊式长镜头”这个形容也太形象了吧!
羊叟:长镜头就系俺滴鞭,演员就素一群羊,哪里需要往哪里赶
二三十年代,匈牙利社会激荡变革的狂想曲。风格是《红军与白军》、《红色赞美诗》风格的结合与延续。可以当成一部舞台剧看,无非舞台是草原,落日与湖泊是背景,刀枪马是真的而已。另,对贝拉·塔尔们影响巨大的大风和大雾,在这也有体现。
7/10
8。一贯的晦涩,一贯的政治隐喻。
风起时,烟雾漫天弥漫,镜头里的空间如梦似幻;湖上的葬礼、女人朝着观众连开数枪 两段情节前后,惊为天人。几次镜头跟老塔的《牺牲》有异曲同工之妙,此片比《牺牲》早了7年。
20/12/18