Dreamy animated images in detailed henna painting and atmospheric watercolours dominate a young Spanish artist’s moving journey of discovery. In a small bookshop in India, Inés comes across the feminist-utopian science fiction story “Sultana’s Dream.” It is about the terrible revenge on men, the bookseller explains. In the slim volume she wrote in 1905, Rokeya Hossain describes the fantasy realm of Ladyland – a land in which women are self-determined and live in peace, in which they run all government affairs and all forms of education are open to them. And the men? Their place in Ladyland, the bookseller continues, is where they belong: locked up at home. Fascinated by the literary “painting” of this place and its inventor, Inés sets out in the footsteps of the writer and teacher Hossain, who championed education and equal rights for Indian girls and women as early as the beginning of the 20th century. The trip takes the Spaniard across contemporary India. Her companions are the dreams of Ladyland – and the utterly different realities of the lives of the women she meets on her journey.
东京国际电影节看的第二部 有关女权的电影,导演定义其不是纪录片而是科幻片
Not so into…but the form is great️It’s not common to use watercolor depicting the view, but I really like this material as I usually did.
idfa23/ Now I can dream, I am free.
2023.10.28 东京国际电影节 今天看的第四部,也是第三部女性主义题材的电影。“也许在欧洲女性是安全的”“不,女性在哪里都不是安全的”唯有那个幻想的国度,在层层压迫下,在暴力之外的由女性建立的国度,才是女性的安身立命之处。很喜欢。
好好看
没有看懂大象和猴子的寓意 看起来是掌控者和被掌控者 但是具体在隐喻什么没有看懂