足球尤物国语

于我而言，一部电影看得很投入，那就是一部不错的电影。如果经得起推敲，可以反复看而不厌倦，那么就是一部值得五星的电影。

这部是校园喜剧爱情片，没有什么需要细细推敲的内容，但是看着十分开心，里面的笑点挺密集的，从头笑到尾的感觉，女主很可爱，虽然表情有些夸张，常常瞪眼，有时感觉眼睛都要弹出来了，但无伤大雅。

剧情设计也有新意，女主为了证明自己踢足球的能力借哥哥的身份去其他学校参加足球队，进而打败自己所在学校的足球队，期间在学校发生的一系列有趣的事情，每一个人性格都挺鲜明的，都不流于俗套，是一部很不错的爆米花电影

我爲什麽會希望女主角就不要變回來，跟另外那個女生在一起感覺挺好的啊~~
難道偶內心隱藏什麽偶不知道，呵呵。

把女扮男题材表现得很新意、很有趣。
情节不错，演技不错，导演不错，但最多还是只给四颗星。
就是那个回眸把我融化了。

她独自走到黑暗的池溏边，隐约间她看到了他，她说：“我以为你不会来了，你在这里对我很重要...”他走近她，说“我要把这里的洒水机关了。”烤！原来是物业管理员。她失望的转身、离开。发现他就在身后。

就是那个回眸把我融化了。

和足球的关联并不大，感觉像当年迷花样少男少女一样哈哈哈哈。但这部电影明显情节设计相当到位，女二为了让女扮男装的女一喜欢上自己，搭讪并利用男一，女一那个吃醋的劲儿呦哈哈哈。还有最后哥哥和妹妹在球场上自证清白那段太搞了，编剧厉害了。

但男生这个靠下半身思考的物种 说实话真的太容易动摇了，但我还是相信最终能走到一块去靠的还是共同的兴趣爱好，话题不断生活不至无聊 是吧。竟然还是对男一这个人设非常有好感我是不是疯了哈哈哈哈

哎我觉得我这个人实在是太无趣了又没有优点，感情对我来说真是个难解之题。

She is the Man is a teen flick that based on Shakespeare's Twelfth Night, which is about a girl who pretends to be her twin brother in order to play her favorite sport soccer. Many stereotypes of gender roles about males’ masculinity and females’ femininity have been shown in She, and many of these stereotypes have been parodied to critique gender inequality. Although She is the Man tells a story about girl sport (soccer), discourse of gender roles is the theme because of the important employment of a “reversed sex” in the film. First, the catalyst of the story is the protagonist Viola’s high school cuts the girls’ soccer team, and the coach refuses to let her try out for the boys team—“Everybody knows girls aren’t as fast or strong or athletic as boys”. This is the most obvious example of gender stereotype and sexism; it becomes the motif of Viola’s impersonation of her brother Sebastian to try out for a rival school’s boys’ team and prove herself. Another example can be seen in Viola’s girly mother’s parenting on girlhood—all she wishes for her daughter is to dress nice, be ladylike and have a cute boyfriend. Viola’s attempt to break gender stereotype from school and parent is feminist. However, the plot itself of Viola has to "become a man" in order to earn respect as well as the opportunity to play soccer is an implication of gender inequality. Yet, the film has employed many unexpected events to mock or satirize gender roles. On the one side, it suggests a girl can play both male and female roles if she wants, Viola’s masquerading as a boy is the best case. In addition, the film also implies “inside every girl, there is a boy” from Viola’s male friend Paul’s mouth. For example, during the mother-daughter dinner, Olivia, the gender-normative “lady”, fights with Sebastian’s “ex”-girlfriend. The fight scene is very manlike and aggressive, which might be exaggerated for comedy effect, but still, it does make the audiences wonder if the previous ladylike was just a fake; it also becomes an interesting echo to Paul’s words. On the other side, the film also constantly makes a dig at male’s feminine part. One example is Duke, the typical jock who is supposed to be masculine, is actually very shy and becomes tongue-tied when he is with girls. And he is scared of bugs just like Viola; there is this scene he and “Sebastian” (Viola) scream and jump onto the same bed just to dodge a spider. Another classic example is when “Sebastian” (Viola) first moves into dorm, she accidentally drops her female product, which is seen by Duke. He asks why she has tampons in her boot, she says she gets bad nose bleeds implying she stick them up the nose. When Duke and his male friends get surprising face, she even says Beckham does it all the time. What is funny is, later in the film, Duke really uses tampon to suck nose bleeding after a fight. This not only surprises Viola, who does not think a guy would actually use tampons (even though she is the one makes it up), but also becomes an irony to his early response to this story. Although the film does not explicitly say, it is clearly enduring the idea that female can be manlike and masculine (playing soccer, fight, etc.), and male can be ladylike and feminine (use woman product, fear of bugs, etc.) Reading this teen comedy as a whole—it is amusing to see the switch of masculinity in female and femininity in male, and more interestingly, this is approached through a real “sex switch”, a girl in boy’s disguise—Shakespeare might laugh as well. © Lydia L 3/16/2011 未经许可 请勿转载

这是一部励志的喜剧。

与其说它脱胎于莎士比亚的《第十二夜》，我觉得此部电影的维奥拉更像是现代美国的花木兰。花木兰替父从军，维奥拉替兄踢球；学校里的女子足球队没有了，可怜的维奥拉只能假扮哥哥，去了哥哥学校的足球队，颇有些《木兰诗》中花木兰替父从军的感觉。

不管剧情有多么狗血，多么让人笑不出来，但我觉得这是前手机，前网络时代的幸运。如果现在想要女扮男装进入男子足球队，是完全不可能的了。

足球很苦，苦的让人直冒眼泪。20年前，我小时候在老家的学校也参加过足球的兴趣小组，我踢了不到一年就果断放弃了。2006年暑假，我转学到了南京，我们学校也是足球重点学校，诞生过很多中超球星，我们老师也会给我们讲很多球星的故事；我的球星启蒙就是从这里开始的。那时候我知道了只有不到二十岁，还是长发飘飘的梅西，还有马拉多纳，巴迪斯图塔，贝克汉姆，杰拉德等足球明星。

女扮男装的故事对中国人来说实在毫无新意，哪部古装片里没有那么一两个小姐、女侠之类的为便于行事而扮成男人啊，而看了《足球尤物》才发觉，同样的情景假设在文明进步的现代、在大洋彼岸也一样适用。跟男人一样打扮，模仿男人的谈吐举止，把嗓音压低压粗，必不可少的束胸，还有其他可有可无的道具，所谓女扮男装无非如此，而遇到的难题也无非上厕所、洗澡这些需要宽衣解带、坦诚相见的客观事情，却往往忽略和弱智化了人们的生活常识和主观判断，使女扮男装这种不可能的任务变成可能，继而还能在穿帮之后堂而皇之的将浪漫的爱情进行到底，如此种种古今中外不径相同。都说武侠片是成人的童话，那么此片也可算是不是童话的童话。
尽管如此，我仍惊讶于薇欧拉的变身，其反差之大令人咋舌。女孩打扮的她虽然泼辣粗鲁而有些男孩气，却不失女孩的温柔妩媚，而变身后的她除了五官、皮肤、身高等客观因素还留有女孩痕迹外，其他的各方面几乎都很男性化，甚至还因为矫枉过正一度被男孩视为异类怪胎而疏远，女主角的演技可见一斑。可以这么说，此片的成功除了编剧别出心裁的把莎士比亚经典剧作搬至现代之外，更归功于女主角出色的表演。
作为喜剧片，此片显然达到了其想要的效果，层出不穷的笑料把我和同看的同事笑翻了，甚至笑声穿过了对面的办公室，引来好些好奇的目光。而另一方面，此片并非纯粹为了搞笑而搞笑，虽然有些无厘头的桥段却不觉得庸俗，更重要的是，影片还别有寓意的传递了一种励志信息，这点是诸多类似的《女男变错身》所欠缺并逊色的。
还记得女孩们为了男孩在洗手间大打出手的场景吧，对所谓的淑女是莫大的讽刺。娴静端庄、高贵典雅的淑女形象虽然永远不会过时，现代社会却赋予了更多的意义。21世纪的女性早已不是男人的附属品，随着女性地位的提高，平等自由的女权意识成为女性心理一大重要部分，“如何活出真正的幸福快乐”、“如何追求自己想要的生活”也不再是只有男人才考虑和研究的课题。薇欧拉在旁人的反对和嘲笑声中完成了看似不可能的任务，凭实力加入男子足球队并帮助球队击败对手，正使我们看到了一个典型的把美貌与智慧集于一身的当代年轻女性形象。她的独立自主、自信执著、乐观进取和勇敢坚强不仅为她赢得了比赛和爱情，更赢得了理解、认同、尊重和敬佩，把努力变成娇艳欲滴、引以为傲的果实，也把偏见变成狭隘龌龊、遭人唾弃的垃圾。
当然，也不要忘了她那为了音乐远走伦敦而欺骗父母和学校的弟弟，这毕竟不是一部所谓的女性励志电影。这对姐弟清楚的知道自己喜欢什么、想要什么，只要认定了目标，他们就会坚持下去，毫不犹豫地想尽办法去争取和拼搏，什么困难、挫折都打不倒。这就是青春的激情、叛逆、倔强、无畏，却也是不可多得的为梦想奋斗的精神。不要对自己说“做不到”，这世上有太多的事情不是“做不到”，而是“不肯做”、“不敢做”。还是那句老话：If you think you can，you can！

btw，亲吻比赛太恶心，太bt了！幸好那是在美国！