意外的非常好看,田纳西对于情感纠葛的表现非常辛辣尖刻,给人酣畅淋漓之感。尽管有着对于名利丑陋面的揭示与批判。仍在故事的结尾给予了甜蜜的希望与和解。
Sweet bird of Youth, at the opening of the film, with the background of a flock of sea birds flying over the river, the hero drives the car accompanied by the former Hollywood actress Alexandra is needy and desperate at the moment, escaping reality by consuming tobacco and alcohol,
They are using each other in order to get the thing they want. However, the sweet bird has not died yet in Chance’s heart, for his love towards Heavenly is still there, singing.
The acting of the Page is really powerful and emotionally bursting, she tried her best, pleading with Chance to stay once she knows that he is still in love with Heavenly. However, she just throws Chance away as penniless luggage at the moment that she knows she has a chance to shine on the stage again.
Chance’s fantasy has been smashed, he went to find Heavenly and persuades her to leave the town with him. Heavenly loves Chances as well, so they reconcile and leave the town together.
Heavenly’s greedy father shouted at them--the maid of their --Nonnie said you just go straight to hell by yourself.
Tom the boss of Finley deserves this, as he does not love his daughter and just enjoying to put her on display as a model of purity and chastity.
He mistreated his mistress--miss Lucy as well, and he is suspicious of her, so he hurts her so brutally by closing that jewellery box so suddenly to break her fingers. The shouting of her is really emotionally disturbing!
Fame rotten heart, however, Chance is still in love with Heavenly, so no matter how bitter and frustrating he gets from the failure of pursuing a career to become a film star. He is still in Youth and has hopes for a rebirth.
The film version was sanitized, with Chance becoming a drifter rather than gigolo for hire. The ending was also heavily altered from the explicit sexual mutilation scene depicted in the conclusion of the original stage version.
Somehow, the sweet bird of Youth has a satirical and ironic meaning, which indicates that the bird in youth is sweet, but also can be poisonous, Chance becomes the lover of a fading film star, in order to exchange fame. However, selfishness and ugliness of fame contaminated, corrupted and destroy him at last, as the pricing of being sweet.
He used love like most men use money.
The biggest difference between people is not between the rich and the poor. The biggest difference is between those who have ecstasy in love and those who haven’t.
应该只给2颗星的,这片子真是太烂了,演员表演生硬不说,剪辑和flashback做的实在是太拙劣,简直就没有montage可言。。
剧是好剧,就是太戏剧式了,主演刚在舞台上演过这出戏,所以还带着舞台的感觉来演电影。
额滴神啊,脑子有问题了,才过半年居然一个情节也记不起来了的说
几个演员都美得和油画里走出来的一样,尤其是保罗·纽曼和雪莉·奈特, 举手投足简直惊艳四座,剧情不过如此。
我是纽曼的铁杆粉丝!不过这戏,也太百老汇了!!!再说,这DVD上边的简介也太不靠谱了!纽曼很给力。
每一个人物都展开了一些内在的东西,但每一个人又都刻画得不够深,所以觉得整部电影始终还是差口气。华彩是Geraldine Page的表演和Paul Newman的身体,不得不说PN真是很好完成了片里Chance这个角色的形象展示——一副耀眼帅气的美丽皮囊(褒义)。还有不少精彩台词,“摄影机不知道如何撒谎,银幕是一面无情的镜子。”,“每个人都有自己的地狱。”。
明星梦,权力梦,爱情梦,美利坚土地上关于“成功”的幻梦。保罗·纽曼的明星光芒太过耀眼,杰拉丹·佩姬的演技出神入化。相比田纳西·威廉斯的原著,悲剧的结局被电影转换处理,而残酷的真相是:Chance没能抓住改变命运的机会,Heavenly的生活远离天堂。
过气女演员与失败花瓶男的故事,纽曼一定是全坞,不,全美最美的男人,所以制片人老是签合同逼他卖肉吸引观众,而观众也……欲罢不能。结尾甚至出现了要给纽曼毁容,让他不能再勾引女主角这种一般属于女角的剧情,嗯,出现在纽曼身上没毛病。
田纳西威廉姆斯的剧其实不容易改编成电影,台词多而且不好砍,这个算是很成功的改编,相比其他改编弱化了舞台剧感,电影感比较强,演员的表现也很精彩
Sweet bird of youth. 小时候听王洛宾的歌““我的青春小鸟一样不回来”,电视上总是配着欢快的舞蹈,我也不懂青春和鸟有什么关系。后来才明白这一首再悲伤不过的歌曲。看来在青春这件事上,东西方文化难得的相似。甜蜜的、轻快的、稍纵即逝的时光,你以为能抓住吗?TW擅长于写过气女明星和年轻情人的故事,那种无尽的自怜与无情的嘲讽。女人说我没有老,我只是不再年轻。年轻男子说,谁也不年轻了,敷衍的安慰,轻蔑的眼神。这样的陪伴是聊胜于无吗?买来的只是时间,不是感情,连同情都不算。
保罗纽曼没有詹姆斯迪恩的破碎感,就像一条断了腿的野狗抽吸着走在街上虽然会发出呜呜声但那仍然是一条你不觉得需要送进收留所的狗。他没有把这个故事处理成丧失过往的金丝雀,而是他成为了一位被欺骗、自我欺骗、最后去骗别人的好莱坞娼妓,他被从里到外地改造了、损毁了,但他还可以运行,他会用另一种残酷的方式继续他凌乱不堪的生活,这更现实,更像我们生活四周的每一个人。因为他还是可以撑着拐杖站在那儿,并且歪歪扭扭地走下去。保罗纽曼真正的属于田纳西威廉斯。
威廉姆斯的[甜蜜的青春鸟]是那种典型的由主题出发硬设计出来的剧。三个人物全靠他诗意的语言才得以存在,但他们全不是真正有血有肉的人。电影版则放大了剧的一切问题,并除掉了剧里唯一成功的"青春"动机系统。结尾那令人难堪的造团圆戏码好像空中楼阁。经这样巧手改编的电影最终连三等肥皂剧都算不上。
Florida gigolo Chance Wayne brings home ex-screen queen Alexandra Del Lago. From Tennessee Williams' play.
这名还真是译得港味十足。Paul Newman只要做好花瓶的本职工作就好了,其他的一切交给Page吧。
青春匆匆逃窜的人间地狱。“I konw exactly the kind of gold-plated hell I'm going to.”无耻的浪漫,局内人却捉摸最清,投奔向自己身为寻常人的地狱,好过无为的断送。Newman有最令人贪恋的肉体,Page表演里的躁和婪放大得正好
好剧本。Newman帅晕我
这名字是个啥翻译啊……
我觉得田纳西.威廉斯这个本子比较一般,我也总觉得理查德.布鲁克斯拍田纳西的本子拍得很沉重。演员表演也不太行,希望有关人士能冲拍一次
准老丈人拆情侣的方式挺高明的,植入了一个美国梦,却成了梦魇。现实的残酷谁也逃不过,即使功成名就的女演员,还是生活在青春已逝的地狱里。
EE 十分喜這類歡帶有濃重舞台劇氣息的電影 兩位主角太驚豔了 但剪輯實在很糟糕 看了花絮才知道 是審查制度毀了這個好劇本 強烈建議把這出杯具骨子里的悲傷給重拍出來