Howard Tyler (Frank Lovejoy) is a family man, living in California, who can't seem to get by financially. He meets up with a small-time, but charismatic, hood Jerry Slocum (Lloyd Bridges). Soon, Slocum convinces Tyler to participate in gas station robberies to get by. Later, they kidnap a wealthy man in hopes of getting a huge ransom. Things go wrong when the man is murdered by Slocum then thrown in a lake. Tyler reaches his limit emotionally, and he begins drinking heavily. He meets a lonely woman and confesses the crime while drunk. The woman flees and goes to the police. When the two kidnappers are arrested, a local journalist (Richard Carlson) writes a series of hate-filled articles about the two prisoners which eventually lead to a brutal lynching. The despair of the lower middle-class: A family man ashamed of being unemployed allows himself to be convinced by a gangster to take part in a kidnapping. The police arrests them both and the anger of the small town’s population is unforgiving. THE SOUND OF FURY is a dark crime movie that builds up to an apocalyptic storm, but never loses sight of social realities, thus telling a lot about the daily despair of the working-class. A masterpiece, it was Cy Endfield’s last film before he felt compelled to move to Britain.
主题与《Fury》类似,故事的前后衔接做得不好
前一小时细腻的人物戏,后半小时忽然成了社会片。
3.5
http://www.bilibili.com/video/av10540189/
1.个人的堕落,家庭的破碎。2.新闻记者的不实报道。3.被点燃的暴民之火。三重暴力的交织指向社会道德坍塌的深层原因:平民失业,经济大萧条的必然结果。媒体滥权,新闻野心家为搏眼球罔顾事实。民众不满,将满腔怒火发泄到闯监狱动私刑,这恰是无力改变自身现状的反映。另,主谋是个反社会人格,但坏得算有魅力。女二看似柔弱,脑袋瓜好使,不会吃亏上当。
三星半,代沟
直白寡淡,手法浅陋。
Composed of several different themes like: news liberty, morality and love
Cy Endfield并没有承认是左翼作家,但却在五十年代被好莱坞列入了anti-America的黑名单。这部影片反复表达的主题是:暴力不能通过情绪去宣泄,媒体有责任保证不去煽动大众的情绪。影片男主角后续还参演了右翼主题的I am a communist.五十年代的好莱坞也是故事和事故一大把。
以主角的家庭悲剧为案例表达了社会基层人民对生活的不满,再加上舆论的推波助澜,于是愤怒的火苗越烧越旺,有吞噬整个社会体系的危险。
案件教育,不单纯是一个故事,把社会学方面探讨放进去了。
2.5
不能忍的是:前半部男主暗黑犯罪的实施、逐步堕落的情节展示和后面“语重心长”说教的不协调。表现手法简单粗暴。。。结局的袭警大爆发算是提提神。
老实人上了贼船之后那段“行尸走肉”般的状态演的极好,结尾我有点不了解,莫名其妙
有点说教但结尾lynch颇为震撼。另外其他国家警察用高压水枪镇压“暴民”。美国暴民则用高压水枪袭警也算一奇观。
全员暴民
后面众人闯警局的戏份很好 老美自有国情在此
双线并置失衡,记者线太单薄和功能性,同时也未能形成情节剧积聚的强度,以及真的没有想到直白点题点了两次,或许是刻不容缓吧,毕竟这片也算意义重大。