An insane man first loves then grows to hate his neighbor, an old man whose penetrating gaze unnerves the insane man. He plans a perfect crime and executes it one night. The next day, two officers knock on the insane man's door, investigating a shriek heard in the night. The insane man invites them in, answers their questions, and submits to an examination of his eyes by one of the officers, who proclaims him innocent. The insane man invites them to stay and relax awhile, then regales them with his theories of crime. His heart begins to beat louder. Angles on the set are skewed to suggest the man's internal disarray.
长篇影评
短评
TRUE! nervous very very dreadfully nervous I had been and am; But Why will you say that I'm mad?
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a picturization of Edgar Allan Poe's immortal classic of the same name
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20s的表現主義深得愛倫坡之精髓,尖銳交錯的疊影和默片年代誇張的表演形式;進一步放大了詭異感
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房间设计和疯癫
泄密的心。爱伦坡故事的先锋电影版。卡利家里表现主义场面调度,疯狂的男主角扭曲的心里。两个表现病理和错觉时的交叉蒙太奇。
单从剧情上来讲有和夺魂索类似的地方。文字效果的处理很前卫
补
爱伦坡小品
这个场景很Caligari,演员表现好棒
#It's The Beating Of My Hideous Heart# P.S. Edgar Allan Poe真是这些人的宝库
20年代先锋派影片。实验性叙事。查尔斯 克莱因(英国业余导演)。爱伦 坡作品改编。模仿《卡里加利博士的小屋》,故事表现为一个疯子的所见所闻,地板仿照设计。无资源
Retour de Flamme(mais pas nitrate!)
最后坦白那段的蒙太奇做的很好,节奏非常的吓人
很正宗的爱伦·坡味道。
很出色
爱伦坡的作品早在近一百年前就被搬上了大荧幕,改编自其脍炙人口的短篇《泄密的心》短片里男主角有些爱伦坡典型的形象:八字唇须、凌乱的卷发和神经质的眼神,非几何对称的舞台和环境映射了主人公扭曲异化的内心,默片时代的男演员用他夸张的肢体语言和表情,还原了一个癫狂而又suffer的爱伦坡。