“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
日常感慨北欧派的外景——
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叛逆儿子爱上女佣与富农父亲决裂离家出走,当上伐木工四处流浪,为博另一富农女欢心打赌漂流,却被富农和当地人排挤侮辱瞧不起,发现初恋沦为妓女,伤心欲绝回家发现母亲也挂了,继承家产明媒正娶富农女两个女人的死亡换来叛逆儿子的成熟,论婚姻还得是门当户对章回体乱叙有特点,漂流戏好看
过河那段好厉害,瑞典早期商业上最成功的一部片
【3.0】
默片里男人和女人都长的差不多 妆发太过统一大概 这是个不免俗的故事 但是也挺现实
共七章。前五章是一个浪荡子的泡妞秘笈:言语挑逗、欲擒故纵、作死炫技、始乱终弃、动手动脚~~~后两章是浪子回头:纸醉金迷的生活中突然发现某个女友因情而亡,面对镜子突然开始反思人生,回到最富有的女友身旁向其父坦白自己的富家子身份~~~倒也挺现实的,这可不就是活生生的人生吗?一根圆木飘险滩那段确实惊现,演员真的是现场真实表演吗?斯蒂勒这是拿演员的命不当命啊。改编看不出啥,还是得去看原著究竟想写啥。根据芬兰作家Johannes Linnankoski的小说改编,几乎出口到每一个欧洲国家,北美和南美,南非,埃及和许多东方国家。
3.7斯蒂勒导演的优美电影,瑞典的自然风光真好,男主角站着木头漂越河流的场面算是影史经典桥段,主打的爱情戏其实有些繁琐,删一个半个小时的就简练了
7.0
有些场景演起来还真凶险
瑞典电影回顾展。1986.10.08中国电影资料馆
圓木和鏡子。這兩段很精彩。
那时候的演员真的拼,没有特技,全部自己上,真的厉害。
100MIN Nouvelle copie numérique 2K du Svenska Filminstitutet.ERRANCE!(看了一个月+的新片/DCP,终于!)
木筏漂流戏的 粉蓝2色对照,包括对河流的拍摄,美的不可理喻,难以想象还有比这拍的更美的。其他的看不太明白,还需要多想想,对比一下瑞典的电影特色到底是什么