凯莉日记第一季

1998年至2004年，单身的美女作家凯瑞在HBO的热播剧《欲望都市》中，用她昂贵高跟鞋所踩出的每一记鼓点都被观看这部剧集的女人们记下。那声音，就是关于欲望的进行曲。直到现在，她们都牢记：达成欲望的最好武器是由承载着欲望的鞋子、提包、外套、耳环、项链来组成。

十多年过去了，《欲望都市》的时尚风潮依然热烈不散，就算是原班人马在2008年和2010年分别用两部电影版榨取了剧集的剩余价值，依然无法阻挡时尚icon留下的围观效应，不过，考虑到以莎拉·杰西卡·帕克为首的四位欲女演员的年纪加起来过了200岁，以及凯莉和Mr.BIG纠缠十多年的感情以婚礼告终，本剧的持续繁衍度已经岌岌可危，可是擅长打造少男少女时尚偶像的CW台用拍前传的形式让《欲望都市》进行了一场逆时光进化，故事将瞄准1984年的凯莉· 布莱德肖，只有16岁的她在康涅狄格州郊区的高中生活，以及之后初到曼哈顿的新鲜体验，剧集有一个相当少女的名字：《凯莉日记》。







80年代复古能否打造新时尚传说

《凯莉日记》改编自《欲望都市》原作者坎迪斯·布什奈尔的同名作品，从凯莉的少女时代入手，讲述了她在郊区读高中时的生活，16岁的她刚遭受了母亲去世的打击，父亲无法应对突变，妹妹更无比叛逆，尽管英俊的转校生为她带来了初恋的兴奋，但凯莉依然提不起精神，直到父亲提出把她送去曼哈顿的律所实习。纽约的光怪陆离与繁华时尚第一时间迷倒了凯瑞，初到大城市的她爱上了曼哈顿的生活方式和现代气息，并不顾一切的加入了这场时尚传说。



时尚影视作品从来都是时尚的驱动力，从《欲望都市》到《绯闻女孩》都在华服名牌的营造上取得了巨大的成功，那些绚烂斑驳和不顾一切的引人注目，挑逗的是每一个女性内心蠢蠢欲动的梦想，凯莉的高跟鞋与衣服比她的爱情更为动人，名牌包包和英伦范儿比情节来得更有吸引力，既然如此，老套的麻雀变凤凰的故事，灰姑娘遇到王子的爱情，则可以在不同种类时尚华服的再包装下、再繁衍中，名正言顺的变身为不同凡响的吸金大户。



作为CW台在今秋力推的新剧，《凯莉日记》郑重其事的打出了《绯闻女孩》幕后设计团队的大名，更详尽展现了“少女凯莉”的各种造型对比，80年代的流行元素在蓬蓬裙、波点衫、亮片装上精美体现，时下流行的复古风潮进而呼之欲出，本剧在时尚感染力上的野心可见一斑。不过，拥有此番野心的《凯莉日记》于诸多时尚剧珠玉在前的压力下，显得有些争议，外媒认为本剧略显山寨廉价，华服设计毫无借鉴性和养眼度，整体缺乏大牌剧气场。







而这种逆时光进化到80年代的时尚前传剧，CW台早在《绯闻女孩》时候就有过失败的先例，本来希望以女主角Selina的母亲在80年代的经历出品衍生剧，当时就因女主角没有观众缘、没有过硬情节，以及过于夸张而平庸的上世纪服饰挑战现代人审美而遭到诟病和腰斩。





90后少女能否担纲时尚icon凯瑞？

其实早在2010年，《欲望都市》电影版的导演迈克尔·帕特里克·金就曾表示，正在考虑拍一部《欲望都市》前传，影片将以坎迪斯·布什奈尔的另一部新作品《夏季都市》为基础进行改编，这个项目至今仍被搁置，而关于谁来扮演凯莉在当时曾产生过巨大争议，布蕾克·莱弗利和麦莉·赛勒斯都进入过“少女凯莉”的表演者名单，但“夏洛特”的扮演者克里斯汀·戴维斯就放话说：“我对《欲望都市前传》没兴趣，我们就是我们，之前的电视剧里已经把我们的历史讨论个够，想不通他们为什么还要炒冷饭？更奇怪的是，其他演员来演我们，感觉莫名其妙。”莎拉·杰茜卡·帕克也不屑的说：“即使前传拍成电影，和《欲望都市》也没什么关系，新电影不可能做到人物重现。”



这些抗议和争议无疑让后来剧集版“少女凯莉”的选角面临着巨大压力，而1993年出生的少女安娜索菲亚·罗伯则成为了这位迎风而上的幸运儿，作为一枚在演艺圈打拼了多年的童星，安娜索菲娅的演艺生涯大概从五岁登上舞台那刻便开启了，她最有名的大银幕亮相则是多年前在《查理与巧克力工厂》中扮演爱捉弄人的小姑娘维奥莱特，此后通过在《多疑的托马斯》、《有梦就去闯》、《梦游》、《心灵传输者》以及《仙境之桥》等一系列影片中的精彩表演，她成为了像达科塔·范宁般受到人们喜爱的小童星。2011年初上映的励志题材影片《灵魂冲浪》她出演了一位坚强的残疾姑娘最终战胜绝望，影评风评不佳，但安娜索菲娅的美貌却令人过目不忘。



CW台选择她出演时尚icon凯莉也是棋行险招，毕竟她的圆脸圆身的外形和“老凯莉”的长脸瘦削大相径庭，举手投足更欠缺从容和文艺气质，整个人的过分乖巧和个性不足使其无法Hold住凯莉标志性的蓬勃金发，好在《凯莉日记》有少女心和逆时光做看点和借口，就算有争议，依然是话题，理所当然的成为了今秋最受期待的新剧之一。



（原载《新闻晨报》）

Letting go of people or traditions is hard because you invest so much in them that to let go can be scary . But it can also be liberating...or even essential to your happiness.If you don't let go ,you can find yourself in a dark place unable to kick your worst habits.And sometimes , if we truely love someone we have to be okay with letting go.
让旧人和传统过去是很难的，因为你投入了太多而害怕失去。但是让它们过去也可以是一件解放身心、甚至必要的变快乐的途径。如果你不让过去过去，你可能会让自己深陷黑暗的角落,无力摆脱最坏的习惯。所以有时候，如果你真的爱过一个人，你不得不温柔地对过去说再见。

Geoffrey Chaucer wrote: “time heals all wounds,” but what he failed to mention was the scar those wounds leave behind. The painful things that happened to us permanently leave their mark. They don't necessarily hurt anymore but they are always there as a reminder, as a memory. And as time passes maybe the memory gets a little fuzzy. But we always have the scar to remind us it happened that we lived through it, that we survived.

杰弗里·乔叟写到："时间会治愈一切伤口"。但他没提到，那些伤口留下的疤痕。那些发生在我们身上痛苦的事，会永远地留下记号。它们不必再带来伤痛，但它们会像备忘录，像回忆那样一直存在，随着时间的流逝，也许回忆会渐渐模糊，但总会有伤疤提醒我们发生过的事。我们经历过，然后挺过来。

— Carrie Bradshaw, The Carrie Diaries S01E13


Right now, the label on me would say, "Heartbroken, extra large." But the one thing that you have to remember about the labels--they only matter if you let them stick.



高中生的泡沫时装剧 还能有多少高要求
去年夏天看完的剧
剧情比较平庸
唯一记住的就是sebastian的金发碧眼加微笑 （果然对北欧血统毫无抵抗力）
还有就是几句carrie的一些内心独白

比方说--
“There's a breif moment when you first wake up where you have no memories -- a blissful blank slate, a happy emptiness. But it doesn't last long, and you remember exactly where you were, and what you were trying to forget--...--what is worse, you have no one to be angry with except yourself.”

再比方说--
“When my mom died, I didn't cry at all, once. I think because, in a way, I've been numb ever since. But not tonight. I felt everything. I felt happy. So happy that I couldn't handle it for a second. But I'm ready. To feel everthing.”

然后就是最上面的一段话 也是第一季剧终引言
time,
wounds,
scar,
memory,
live thourgh
survive...

听过一遍 就再也难忘
太过感同身受

就因为这一点 推荐一下~

Those lost are perhaps the first step to adulthood. Life is getting more complicated.
I am searching for myself. Who I was? Who I wanna to be?
Finding my voice wasn't gonna be easy, but it might be fun.
I feel more confident like I know the staff. but scared 'cause there's something to lose

没有看过欲望都市所以我不评价两者相关性问题，给五分是因为我觉得他的台词真的很好，因为台词我可以三刷一些剧集，每一集都有一个主题，每个主题下是时间线并行的几个小故事，通过不同的人不同的选择呈现不同的结果，很喜欢这种讲故事的方法，下面是我很喜欢的一段，主题是 caught 看似相去甚远的两个故事，编剧却能把他们用一个话题整合到一起，并借carrie讲出自己的看法，不生硬又很有意义

We all feel caught at some point or another between choices. As the Band Devo said, "Freedom of choice is what we want. Freedom from choice is what we need." Having choice, at first, feels exciting, but after a while it can also be overwhelming, like we're trapped with no clear way out. Some people get caught between their secrets and wanting to do the right thing, while others are caught between their desires and their ambitions.

sometimes we have to fake it to make it.after a while,what's fake becomes truth

freedom of choice is what we want;freedom from choice is what we need.having choices, at first,feels exciting. after a while,it will be overwhelming.like we're trapped with no clear way out

they say that with knowledge comes power,so it's safe to assume the inverse is also true---with no knowledge comes vulnerability.
what we don't know about the people we love, or what we don't know about love,period,can be scary.but maybe that fear is ok.what is out there that is unkown can propel us to do more.

虽然剧情有点雷，不过每集日记里面的内容很经典，值得收录下来！
不定时更新在我的日记： http://www.douban.com/note/316206188/

【S01E02 】"Lie with me"

They say that the eyes are the window to the soul, that looking into someone's eyes is to know the truth, to know what's real. The same could be said for the city that never sleeps. It's honest and totally awesome.

Pinocchio（匹诺曹） was a puppet that wanted to be a real boy. All he had to do was be truthful, and his wish would come true. And even then, he couldn't help but lie.

Doing the right thing is hard. Maybe because lying is often easier than the truth. And sometimes it actually gets what you want. But at some point, like Pinocchio's nose, the lies just keep growing until it's hard to tell what's real and what's not. And we can either live in that world of make-believe or face the truth and everything that comes with it.

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【S01E03】"Read before use"

Let's face it. Life is easier if you read the labels, like "Do not put it in dryer" "Expiration date: one week ago". Everyting we wear, everything we eat--they all have labels. The same is true for everyone we know, "Stoner（酒鬼）" "Class clown" "Well-meaning but ultimately clueless guidance counselor" and "The boy of my deams".

Now I knew what it said on Sebastion（人名）'s label--"Contents under pressure, handle with care". Unfortunately, I never bothered to read it. That's the tricky thing about labels.

Once in a while, they tell us everything we need to know. But most of the time, it's only a very small part of the story. Slapping a word or two on a person can make things worse. In reality, nothing is ever as simple as the label we give it.

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【S01E04】"Fright Night"

The scarest thing in high school: when someone breaks your heart, it's such a small place that you can't avoid them. It's ironic. The time in your life when you're least capable of managing your emotions is the same time you're locked up for eight hours a day with the people responsible for those emotions in the first place. It was like I was living in my own personal horror film--"The Rise of the Boy who Broke My Heart". And apparently it was playing everywhere.

Valentine's day is about love. Christmas is about giving. Arbor day（植树节） is about trees, I guess. I get celebrating all those things, but Halloween? Halloween is a holiday where we put on costumes and try on different versions of ourselves--the princess, the demon（恶魔）, the bird flying free.

It's fun not to be "us", and to not have to face the reality of who we really are and the things that scare us, like our vulnerabilities（脆弱）, or what we really want for ourselves, or our fear of change and what it will inevitably（必然地） bring. Being someone else for a night can be fun or scary. Either way, it's only one night, and when the masks are off and we're being ourselves again, we have nothing to hide behind, and maybe that's okey.

But my night in Manhattan（曼哈顿） had taught me one thing: No matter what you're going through, it's always better if you have people to share it with. I was lucky, I wasn't an island at all.

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【S01E05】"Dangerous territory"

When we think about entering new unchartered（未知的） territory, it always comes with the idea that we forge ahead. And that's true to some degree. But often to forge ahead, we have to look back to understand what we're leaving behind. And it can be scary because behind us, there are often blind spots--things we want to ignore or couldn't even see, that can stop us from our journey forward, but only if you let them.

At some point, you have to let go of the past and stop looking behind and embrace what comes next. I was entering new territory, moving on, letting go of the old. My mom was right: Sometimes change is good.

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【S01E06】"endgame"

When we focus too much on our endgame（结局）, we can miss the fun of the journey, we can miss the detour（绕道） that would take us somewhere even more rewarding.

We like to set goals, because they give us a feeling of control. But control is an illusion, because sometimes the earth moves, and we have to deal with wherever we end up, whether it's on solid ground or not.

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【S01E07】"caught"

We all feel caught at some point or another between choices. As the Band Devo（退化乐队） said, "Freedom of chioce is what we want. Freedom from choice is what we need." Having choice, at first, feels exciting, but after a while it can also be overwhelming, like we're trapped with no clear way out. If you're lucky, you might find someone is there to catch you when you finally escape the web. But most of the time, it's harder.

Some people get caught between their secrets and wanting to do the right thing, while others are caught between their desires and their ambitions.

I was faced with tough decision, for sure. But I no longer felt caught between what I wanted and what my dad wanted. I realized this was my life, and I wasn't going to have any regrets.

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【S01E08】"hush hush" 保密

We all have secrets. when we're little, they start off innocent--A hiding place, a stash（藏匿处） of candy, a hush-hush crush. But as we get older, our secrets get bigger and better.

Often what we want, what we desire is something we keep deep inside of us. Something so dear and so special, it feels too scary to let it out into the open. It's our own little secret, and therefore, safe from harm. But maybe we have to let those secrets out in order to actually really live. The fallout from those secrets being revealed is often hard, or sometimes surprising and maybe even inevitable.

I wasn't given a choice, but I think I was relieved that all my secrets were out. And even though I was scared, I was also relieved not to have to hide my feelings anymore. It wasn't much, but it's a start.

我是个来迟的粉丝，海外留学，暑假无事才看的剧 看了第一集就欲罢不能，Sebastian 的出场并不是那么惊艳 但是看到这个跟黑执事主角一样炫酷的名字，我就知道剧情已经展开 这个大家都想染指的New Boy，在众人之中走向了Carrie，在她丧母之后的幽暗里划过一支光亮 高中时代的校草，应该是环肥燕瘦，左右逢源才对 但是两个人在花园一起听音乐的瞬间，就能知道，他是个知道自己要什么的男生 年少懵懂的时光里，有个英俊善良的男生出现，女主居然都不懂得珍惜 父亲不同意不是问题，去偷看文件也不是问题，偷看之后还去质问真的有点踩底线 后来男主也做过各种不负责任，被勾引逢场作戏的错事 但是每一次他都知道主动认错，去弥补 一个家庭不幸的孩子，受过伤，还没有堕落，就值得去救赎吧 而女主所做的，就是一次又一次 把他捧过来的心，用她无心的言语划伤 两个人都有错，但是女主的态度稍微好一点，不那么强硬，不那么倔强，就能好好走下去啊 男主虽然被退学好几次，学习不好还打架，但是他对女主从来都是很温柔的 他有自己的烦恼，却总是迁就凯莉的各种要求，他很体贴，尽可能的经营这段感情 每一次轻轻敲开女主的家门，每一次深情的拥抱，每一次小心翼翼的认错 。。。。 同样高富帅的George，口口声声说着爱女主，却会在车上强迫对方 比他聪明上进的Adam，貌似更适合女主的发展，却不尽人情的苛责她 而我们爱耍帅不懂事的男主，却知道赞美她，忍让她，包容她，祝福她 。。。 他不是个好男孩，但是他也已经试着为她改变，努力融入她的生活 而凯莉只会一味的索取，没有看到他的付出 明明是爱他的嘛，为神马不能平心静气的好好相处？ 当女主对他吼着，You broke me，u broke my heart Seb 居然也没有辩解一句，我也是用尽了全力爱你啊 ～ 看剧看到眼泪狂流，还是平生第一次啊！ 最后男主要去加州发展，女主一心留守纽约 正应了老徐的那句诗，“你我相逢在黑夜的海上， 你有你的，我有我的，方向” 第一次懂得离别的苦，或者以后女主就能学会如何去爱了吧 当你青春年少，当你无知懵懂，但愿能有一个人悄悄的出现 让你懂得付出，让你体会伤痛，让你学会珍惜 让你改变自己，努力变成一个更好的人 就是那永不逝去的初恋 。。。。