传记zhengzhi丑闻爱情片。男主是一个zhengzhi掮客,专门在夜场寻找美丽女孩去介绍给高官显贵获取政治资本纵情玩乐。但是因为冷落了女主,被女主将丑闻通过报纸公之于众,结局保守党的一大帮政要都身陷丑闻,导致了英国最大的xing丑闻案,保守党也随之下台。纪实影片,基本反映当时情况,发挥不多,时间有点长。
男主是个治背痛的医生,认识很多达官显贵。他常常去一些夜场物色一些年轻貌美的女子,用来介绍给达官显贵,赚取政治资本,纵情玩乐。一次他在众多夜场女子中看中了一个女子,美艳动人,艳压全场,她追求她,然后带她进出一些达官显贵参加的夜场,将女子介绍给那些达官显贵。女主也很争气,施展自己的媚功将那些达官贵人迷得晕头转向,三魂丢了两魄,几乎天天有人邀约,有时这个才送走,那个又来了,几乎都没有空闲。但是女主接待的国防部长,疑心比较重,老觉得女主邻居在窥视他,于是他要求为女主安排住处,便于两个人幽会。女主不愿意离开男主,所以和国防部长闹崩了。很快她又开始吸大麻,为了获得大麻,她竟然成了贩大麻黑人的女友,还接交了一个黑人小伙。因为争风吃醋,贩大麻的黑人和黑人小伙大打出手。黑人小伙还跑去男主房子那里开枪撞门,结果引来了很多记者。男主生气了,因为他这种政治掮客最怕曝光,所以男主在大雨中让女主下车。女主在绝望中遇到了一个报纸的记者,说出了所有的丑闻,报纸刊登后,保守党被口诛笔伐,受到公众的质疑,产生了信任危机。虽然身陷丑闻的政府官员毅然否认一切,但是还是经不起媒体、公众的围追堵截,最后只得以辞职告终。警方也开始调查男主是否通敌,在警方的严词审问下,男主不堪重负,自杀了。保守党也因为丑闻下台了。
女主真心很像玛丽莲梦露,我还以为是说女主和尼克松的故事,最后会被暗杀,结果女主活了下来,男主却不堪重负死去了,蛮感慨的。女主很美,就是什么都没看到。身材也不错。那些政府官员真是满嘴谎话,明明贪恋女主,日日寻欢,却在丑闻暴露后否认一切,真是不要脸。不过zhengzhi就是这么黑暗的,看似光鲜,其实就是肮脏不堪,非一般人可以认清的。
A motion picture reconstructs the infamous Profumo scandal in UK, 1963, concerning the adultery between John Profumo, the then Secretary of the State in War of Harold Macmillan’s Conservative government, and a 19-year-old erotic dancer Christine Keeler, whose corollary directly cripples the Conservative Party’s cachet and mostly accounts for its rout by the Labor Party in the 1964 general election.
Directed by a first-timer, the Scottish Michael Caton-Jones, SCANDAL swerves its focal point from Profumo (played by a phlegmatic McKellen sporting a goofy bald haircut) to Keeler (Whalley) and her confidant Stephan Ward (Hurt), a hedonistic osteopath who spots her in the club and invites her to live with him, introduces her to manifold male personage, and encourages her to never say “no” to a dare, and puzzlingly he never puts any action to copulate with her throughout the whole affair.
What is the quiddity of the relationship between Keeler and Ward? As on multiple occasions, Keeler refutes “I’m not a prostitute and Ward is not my pimp”, yet their intimate but perversely chaste co-dependence tickles our curiosity, for that matter, SCANDAL wades into a rarer stretch of waters, to dissect a mutual limerence between a man and woman, without letting their libido steal the limelight, maybe Ward is impotent, his Freudian satisfaction can only be quenched by grooming her into a worldly minx, yet that is anybody’s guess. By comparison, the Keeler Affair, Christine’s courtesan-like swinging between various parties, from Profumo to Eugene Ivanov (Krabbé), the Soviet spy, only reveals to be a side dish of dalliances, which makes the aftermath even more staggeringly stinging.
In the end of the day, it is Ward who sits in the defendant’s seat as the whipping boy after all his so-called friends uniformly leave him in the lurch as soon as the wind changes, Profumo remains scot-free after his resignation, Keeler’s court testimony has no weight with her naive affection, the merciless interpersonal betrayal acts as the last straw weighing down on Ward’s disillusion and world-weariness. If that is the tenor behind the whole project, the outcome is well produced.
Ribald in its imagery (as per the standard for a UK picture), but less confident in organizing a coherently sensuous exposé, SCANDAL feels leaden in the ambience and occasionally stilted in the unraveling (political agenda, upper crust depravity, is all scratched on the surface only), although the cast is more than average, Hurt is amiable in general but also can let up inner turbulence with expressions only; Bridget Fonda nails the British accent as a more men-savvy glamor puss who is craving for any chink of spotlight, and Whalley, the ex-Mrs. Val Kilmer, as alluring as she is, is visibly on the wrong side of 20, too sophisticated to pass for an ingénue who is clueless in placating her warring, jealous man friends, infantilized only for her sexual appeal, judging by that, SCANDAL’s saucy subject matter sorely needs a rejiggering.
referential entries: Steven Soderbergh’s SEX, LIES AND VIDEOTAPES (1989, 7.3/10); Neil Jordan’s MONA LISA (1986, 7.1/10).
英国腔调
感觉真的是周而复始生生不息的社会现象,发展的必然之路好像都是大近相同,六十年代的英国社会是如此的成熟完整,在冷战的背景下高层社会的人是如何对待奢靡的生活状态的,真的是让我们叹为观止不可思议的那个样子,但其实我们发展到现在其中的现象也是屡见不鲜了,正所谓天下乌鸦一般黑不敢多想,影片拍摄的水准非常高,女主的颜值真的是太美了没办法拒绝,越成熟越能感受到影片的魅力和人性的内心,很值得收藏的一部影片!
21/12/23:约翰·赫特演技真好,尺度也是非一般的大;给历史赫赫有名的负面人物拍出这样的传记够英伦。
版本1、原音[心中的阳光原创][丑闻女神][度云离线][中字];版本2、[已看]国语配音[大米WANG]
能把这故事拍这么无聊,也只有英国佬了,但凡有点意大利小团队参与,哪怕好莱坞来搞,都不至于如此不堪,简直啥也不是。
勉强及格。改编自真实事件。虽名为丑闻,但剧情可不是以调查为主,全片也不是冷硬的犯罪片调子,它用线性的、柔情的方式,讲述了一桩略显奇怪的政治粉色事件。有钱有闲的赫特演了个类似嬉皮士的角色,常去风月场所物色姑娘,也开各种性趴,对自己姑娘勾搭国防部长和苏联外交官等人似乎抱着支持的态度,但又没什么明确目的,倒像是个看热闹的旁观者,剧情前半段跟随者赫特和姑娘们的玩闹之旅,像一出60年代的英国浮世绘,但后半段剧情一转,因牵扯国防部长的性丑闻导致这些人承受煎熬。整个看下来赫特的角色动机不明,我不知道他要搞性贿赂还是宣扬性自由还是什么目的,导致剧情没有骨架(尤其那些黑人戏份更不知意义何在),当然编导可能有为赫特辩白的意思。全片各种露点,女演员年龄大于角色但演的很好,尤其女二随时散发的骚劲,原型混的也不错
xzd 一部反腐败片子,20年前看感觉会好些,演员还行.布丽奇特・方达
但凡政治丑闻,也许只有本国民众观看时才最能体会其中之玄机和震惊。因此,对于这部反映上世纪六十年代(大概是)英国政坛上层人物集体性丑闻的影片,在我而言也就是看个过程。
这么慢热的故事看一半就知道是真事改编,很喜欢这样慢慢的看一段故事
女主角是真心美,电影是真心闷,闷不是因为题材,也不是因为选角,而是因为似乎为保持镜头客观冷静而反复使用的侧面、隐晦表现方式。英国果然是个自我压抑的民族,这部电影是又一个例证。
女主很美,看过2遍了,有机会再刷。男主是个治背痛的医生,认识很多达官显贵。他常常去一些夜场物色一些年轻貌美的女子,用来介绍给达官显贵,赚取政治资本,纵情玩乐。一次他在众多夜场女子中看中了一个女子,美艳动人,艳压全场,她追求她,然后带她进出一些达官显贵参加的夜场,将女子介绍给那些达官显贵。女主也很争气,施展自己的媚功将那些达官贵人迷得晕头转向,三魂丢了两魄,几乎天天有人邀约,有时这个才送走,那个又来了,几乎都没有空闲。但是女主接待的国防部长,疑心比较重,老觉得女主邻居在窥视他,于是他要求为女主安排住处,便于两个人幽会。女主不愿意离开男主,所以和国防部长闹崩了。很快她又开始吸大麻,为了获得大麻,她竟然成了贩大麻黑人的女友,还接交了一个黑人小伙。因为争风吃醋,贩大麻的黑人和黑人小伙大打出手。
大部分时间都很沉闷。绝色女主加一星。
女主的颜值三星。中规中矩的传记电影
人性挖掘欠火候,人物关系带入的也有点走马观花。人物弧光也很不足。前面铺垫略少,导致蓄力不足,政坛丑闻的劲爆感也没有。
和2019年英剧克莉丝汀·基勒的审判讲述同样的故事。女主选角神相似!
女主不错,Ian McKellen在本片里的发型亮瞎眼……
Nothing Has Been Proved
英宣部反腐反特大片,女猪脚很漂亮
本片改编自上世纪60年代初英国政坛真实发生过的丑闻事件。约翰·赫特演技大赞,把老绅士+老皮条客的形象演绎的活灵活现。他培养扶持的两位名媛,一老一小俩美女绝对身材颜值在线。怪不得国防部长+前苏联驻英大员都成了赫特的VIP客户。赫特把国防部长代称为“詹姆斯·邦德”。当时还真是《诺博士》热映。
名媛与政客向来是政治片的两大要素。