Everything went downhill when that obnoxiously loud servant girl join in.
My queer self was expecting some gay sub-narrative but everything turned out to be perfectly cliche (and freaking damn heterosexual). However, I don’t think me being queer really was the problem, because the punchlines are as glib and shallow as an expired cream cake. This movie showed perfectly how structurally oppressed females were during that time - they are expected to fit into certain dress and behavioural codes, and only for male’s pleasure; their lives are terribly limited. And the filmmaker never thought of challenging it even a tiny bit in the film. He certainly had NO feminist thinking at all when he established so many binary gender dynamics. The female characters were coy and shallow, while the male characters were vulgar, impolite and greasy.
In a word - the concept of all the “disguised as male” idea is indeed fascinating and, with certain mindset, it could have turned out to be deep and meaningful. But the filmmaker ruined the beautiful potential of exploring/revealing gender norms, let alone surpass it.
The plot was rubbish too. Don’t even make me start. Skip this film and you won’t miss a thing - I recommend Notorious, even The Philadelphia Story if you’re into comedies.
加里.格兰特演了一个不同以往的角色,是一个伦敦骗子,不务正业,集结了几个人,靠演戏骗人生活。这里,他不是那个风度翩翩的绅士形象,但此片里他和乔治.库克合作,后者让他自由地表演,他由此找到了灵感,开始确立了幽默的表演风格。此后他开启了轻喜剧的表演模式,而且演技越来越好,越来越成功。
凯瑟琳.赫本演的是一个女扮男装的人,也比较特别的角色,到后来她除去了伪装,为了自己所爱的人。
本片是加里.格兰特第一次外借到别的电影公司,第一次和凯瑟琳.赫本合作。之后,他们又合作了好几部成功的片子,比如《育婴奇谭》、《休假日》和《费城故事》。他们合作非常默契,每部都很不错。
很难想象在七十多年前的电影中能看到女扮男、同性亲吻的大胆剧情,但它并没有取得一种突破。一度以为其实是悲剧结果又转回了喜剧,中间画师和别人接吻那段让人想到《甜蜜的生活》
凯瑟琳·赫本剪短发,穿西服,扮男装,自然没得说,但她居然没有和加里·格兰特演情侣。
凯瑟琳·赫本女扮男装没有什么违和感
(凡是George Cukor和K.H的合作, 我都会推荐。因为两位都是不可多得。)这一次,雌雄同体只是一种叙事gimmick,女主角被爱的原因、爱上男主角的原因依然陈腐,用女性主义视角看,算不上任何先进。
看到男装凯瑟琳赫本和艺术家在阳台那段,黑白片有了彩虹的颜色! 我瞬间脑补了一万字脆皮鸭文学。而且,就当我以为这故事要BE的时候,居然HE了,天呐,忍不住想给乔治库克投喂一波营养液+深水鱼雷。
舞台剧味道浓重,几个女演员的声音都好叽喳,烦得慌。。。剧情挺有趣的,凯瑟琳.赫本的男装造型甚至比女装更适合她,剪了超短发的她穿上长裙后的某些角度和奥黛丽.赫本非常相似。。。PS这是部偷渡同志电影。。。
能看到乔治库克的突破尝试,只不过不成功
赫本一号赫本二号我都不喜欢
女人帅起来真就没男人什么事儿了,盘点影史十大女扮男装https://www.bilibili.com/video/BV1HD4y1D79n
6。30年代流行闹剧,明显这部不大成功
感觉就是看了一出充满了各种生硬转折的闹腾舞台剧,前一秒骗子老爸突然溺水死了,后一秒Cary Grant就吻上Katharine Hepburn了。前一秒女仆意识到自己被骗了,后一秒四个人就欢乐地组成了乡村芭乐剧团。混乱的爱情速配和排列组合也是让人问号。整个镜头十分静默,各种wipes直击classical Hollywood内核。Katharine Hepburn的男装造型虽然经典,但她和那个女仆二人实实演绎了什么叫无脑的下限,毫无同时期Queen Christina, Morocco等电影的女性意识,即使它在某几个瞬间挑战了异性恋霸权。
凯瑟琳·赫本和加里·格兰特主演的老片,很一般,比较闹。
It's this or that, or it's more this plus that minus this plus that times that and etc...
救命,看完折阳寿的那种,从剧本到表演都是雷出天际,赫本开场那个双麻花辫加卖萌嗓音直接把人吓个半死,演怀春少女那段更是简直了,尬得我恨不得找把刀捅死我自己。这片唯二值得表扬一下的点应该就是结局没让赫本和格兰特硬配成一对以及格兰特裸上身那段了
恐怕只有Kate一人的角色是丰满性格是完整的,Cukor要对影片其他缺点负责。冲着Kate+Cary第一次合作和女扮男装英气剧照看的,结果怎么没在一起呢混蛋,Cary各方面都比Brian Aherne表现好呀!还是那句话在遇见Tracy之前Kate和Cary在荧幕上是最最般配的。
女人帅起来没有男人的事…男二上位没big heat的女二上位表现好…
男装丽人永不过时, 可惜赫本的角色太小孩子气了.
很欧洲。Kate同学的声音怎么感觉比正常的高了八度。
比较无聊。play with gender (performance), still a cliched (multi-angle) love story. Class and gender prejudice naturalized, presented in a comic way.
CG大概就是从这部开始找到自己角色定位了吧