爱我就让我快乐

will you fuck me? no i jerk off instead
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The Song of Songs for angry youths everywhere! Projects a dark and sado-masochist view of American Suburbia, revelling in gross exaggerations and baroque parodies, and gleefully smearing all characters in gores and feces.

You will like this film if you are in your adolescence and hate the whole universe, and if you prefer to believe all adults are devious, under-sexed, "annimals of two backs", and if, as a result, you don't wish to ever grow up to register truths or half-truths, instead of cosy demonic fantasies and pent-up venom.

Which is to say, if you are an American of 15-35 years of age, self-righteous, jaundiced, poorly adjusted, out of tune with love, friendship and any kind of fulfilling relationship, and out of touch with reality.

I finally finished watching this movie, I wanted to ditch it when I first saw an old and pathetic guy jerking off in the backseat of a car. That is some seriously fucked up shit. Some scenes are so depressing and disturbing. But I have to say it's a great movie. It got me thinking. Cause all those sick, twisted perverts are not so different from us, they are one of us. If they are just portrayed as "weirdos", we can just paint them with one big brush and move on with our lives; but they are not, they are normal people, just like you and me. And we have to live with the fact that deep down inside our hearts, there're something dark and twisted hiding.

首先提醒一下有140分钟，这部片子会有两种截然不同的评价，或者上天，或者入地，我是后者了。

有一个写的满好的影评，下面是链接：
http://ent.tom.com/Archive/1002/1353/2003/4/4-73636.html


这类片子至少不适合现在的我看，也许哪一天再找出来，兴许就看进去了，也许评价也就变了，谁知道呢！

http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19981023/REVIEWS/810230302/1023

Todd Solondz's ``Happiness'' is a film that perplexes its viewers, even those who admire it, because it challenges the ways we attempt to respond to it. Is it a portrait of desperate human sadness? Then why are we laughing? Is it an ironic comedy? Then why its tenderness with these lonely people? Is it about depravity? Yes, but why does it make us suspect, uneasily, that the depraved are only seeking what we all seek, but with a lack of ordinary moral vision? In a film that looks into the abyss of human despair, there is the horrifying suggestion that these characters may not be grotesque exceptions, but may in fact be part of the mainstream of humanity. Whenever a serial killer or a sex predator is arrested, we turn to the paper to find his neighbors saying that the monster ``seemed just like anyone else.'' ``Happiness'' is a movie about closed doors--apartment doors, bedroom doors and the doors of the unconscious. It moves back and forth between several stories, which often link up. It shows us people who want to be loved and who never will be--because of their emotional incompetence and arrested development. There are lots of people who do find love and fulfillment, but they are not in this movie.
影片让观众们迷惑，即使是导演的影迷也如此，因为我们不知道对这部影片应该做怎样的回应。是一部描写绝望的人们的悲哀的影片吗？那么为什么我们会笑？是一部讽刺性的喜剧吗？那为什么如此细腻地描写这些孤独的人？是关于人的堕落的影片吗？或许是吧，但是为什么它让我们沉重地怀疑那些堕落的人追寻的正是我们所共同追寻的东西，而片中没有丝毫的正常价值观的试点？这样一部探讨人性绝望深渊的影片给了我们一个可怕的提示，片中的这些角色或许不是什么荒诞（grotesque）的特例，而是真实存在在人性的主流中。每当一个连环杀手或者性奴役者被逮捕的时候，我们翻开报纸看都看到他的邻居们说这个恶魔“就和我们没什么区别”。这是一部关于紧闭的门户的影片：公寓的门，卧室的门，潜意识的门。影片游走于几个相关联的故事之间。它向我们展现了那些想要爱和永远得不到爱的人——因为他们情感上的缺失和生理发育不善。有很多人得到了爱，得到了成功，但是他们不在这部电影里。

Why see the film? ``Happiness'' is about its unhappy characters, in a way that helps us see them a little more clearly, to feel sorry for them, and at the same time to see how closely tragedy and farce come together in the messiness of sexuality. Does ``Happiness'' exploit its controversial subjects? Finally, no: It sees them as symptoms of desperation and sadness. It is more exploitative to create a child molester as a convenient villain, as many movies do; by disregarding his humanity and seeing him as an object, such movies do the same thing that a molester does.
那么为什么要看这部电影？它讲述了那些不幸福的人物。讲述的方式让我们看他们看的更清楚，开始同情他们，同时让我们看到悲剧和戏剧相结合的两性之间的乱事。影片是在剖析（exploit）这些具争议性的话题吗？到最后我们发现没有。它把这些东西看作是绝望和悲伤的症状。更加赤裸的剖析，应该就和大多数电影一样，把一个性骚扰儿童者塑造成一个信手拈来的坏蛋（convenient villain）。但是影片把他的人格降级，把他看作一个物体。这种做法无异于一个性骚扰者。

These are the kinds of thoughts ``Happiness'' inspires. It is not a film for most people. It is certainly for adults only. But it shows Todd Solondz as a filmmaker who deserves attention, who hears the unhappiness in the air and seeks its sources.
这就是影片给人带来的启发。这显然不符合大众口味。这必然是儿童不宜。但是这也让人们开始关注Todd这个能够东西生活中的不幸并且寻找它们的根源的导演。

个人觉得Happiness这个题目有点笼统，有点乏力，但片子实在太牛了。

以前没看过Todd Solondz的电影，看了此片后兴奋得接连几天看了另外几部他的作品。Welcome to the Dollhouse 欢迎来到玩具屋（1995），Palindromes 回文（2004），Life During Wartime 战争时期的生活（2009，算happiness的续集）。可惜喜爱的程度和年份增长成反比。

他的片子（除了最近的那部）有种很强烈的八九十年代的味道。就是记忆里那时候的人花大浓妆，顶个高高的刘海的那种俗气的感觉。有服装道具布景的关系，有选角的关系（导演真偏爱丑角啊），还有就是用平板的日光和柔光吧。画面的庸俗恰好和本片肥皂剧似的情节呼应，真是太恰当了。

两个多小时的电影一点不觉得长，一直在大笑或扑哧中度过，大概极端符合我的恶趣味吧。让我笑得如此会心的怕只有Luis Buñuel的某些电影了吧。尤其喜欢那个爱提问题的小男孩，每次都犹犹豫豫但说的话又很赤裸。娈童癖的爸爸这个演员（Dylan Baker）选的太好了，比“战争时期的生活”里那个逼真多了，那种掩饰不掉的欲望尽在眼底。那个宅男（Philip Seymour Hoffman饰）也演得特别好。他演过的角色多少有些这种木讷无趣的感觉，但我觉得他其实挺性感的（如果不那么胖的话）。

不想多说情节，自己看吧（我看了已经有些时候了，具体也记不了那么多，只是常常回想起一些有趣的片段还是忍俊不住）。本片剧本相当精彩，算黑色幽默吧，是一种精确拿捏的幽默，有点变态，有点正经，多一分则太俗，少一分则不好笑。各种对比和节奏恰到好处。画面不暴露不暴力，但有很强的心理暗示，会让人有很多联想。

这个片子大家都可以看，我不觉得有适不适合看的问题，除了特别保守顽固的人。