圣乔治

剧情片其它2016

主演:比阿特丽斯·巴塔尔达努诺·洛佩斯Mariana Nunes贡萨洛·沃丁顿卡拉·马舍尔Teresa CoutinhoPaula Santos

导演:马可·马丁

剧照

圣乔治 剧照 NO.1 圣乔治 剧照 NO.2 圣乔治 剧照 NO.3 圣乔治 剧照 NO.4 圣乔治 剧照 NO.5 圣乔治 剧照 NO.6 圣乔治 剧照 NO.13 圣乔治 剧照 NO.14 圣乔治 剧照 NO.15 圣乔治 剧照 NO.16 圣乔治 剧照 NO.17 圣乔治 剧照 NO.18 圣乔治 剧照 NO.19 圣乔治 剧照 NO.20
更新时间:2024-04-11 15:43

详细剧情

  Drowning in debt, unemployed boxer Jorge is on the verge of losing his young son and his Brazilian wife. He is one of shocking amounts of Portuguese families and companies unable to repay their loans in the time of European troika bailout measures. Jorge needs to pay off his debts and convince his unhappy wife to not leave Portugal to make a living. Due to his intimidating physique, Jorge must reluctantly accept a job with a collection agency which drags him into a world of violence and crime...

长篇影评

1 ) [Film Review] Chevalier (2022)

Joseph Bologne, Chevalier de Saint-Georges (1745-1799), is a long forgotten virtuosic musician due to his pigmentation (erased from the history by Napoleon I), so it is high time to introduce his less heralded, if, unavoidably unfulfilled legacy to the whole world. Hence, Stephen Williams’s biopic dutifully does the job, though it somehow reeks of unsavory chauvinism.

A peer of Mozart, the before-title introduction scene pits Joseph (Harrison) against Mozart (Prowen) in a cadenza duel and ends up with Joseph upstaging the latter, A fanciful artistic license to imply that if we live in a just world, Mozart would’ve been called “Black Bologne” and not the vice versa. It might be too big a stretch, but it is imperative to do impelled by the necessity of rectifying past wrongs and empowering the repressed and mistreated, which is also something very easy to error on the side of for any artistic creation.

One of the major issues is that the script aridly makes a meal of Joseph’s interpersonal relations with members of the opposite sex to ginger up the insipid plot. For anyone who is equipped with adequate common sense, it pans out without any tact and surprise. To make matters worse, every female character is conceived only to counterpoise Joseph’s remarkable virtues: Madame Guimard (Driver) is vengeful because she is offended for failing to have her way with him; Joseph falls into disfavor is because Marie Antoinette (Boynton, breaking a sweat to compose herself as royal breeding is not in her element) backpedals and pulls the rug out from under first; even Marie-Josephine (Weaving, dismally miscast in period fineries), with whom Joseph engages an extramarital affair, is too craven to start a life anew with a black man, and is partially responsible for a dastardly infanticide. Even Joseph’s mother Nanon (Adekoluejo) fits right to the “magic negro” trope, dignified by her suffering and judgmental of Joseph’s deviation from his root. When she gives his son a piece of her mind, you can bet it is the nuggets of subsisting in a vastly unjust world.

As a performer, Harrison’s arduous industry of practicing violin is nothing if not remarkable, but his effort is woefully cheapened by Joseph’s anodyne characterization, whose personality is zilch, and whose every emotional output is mechanically predictable. Considering that the French Revolution is in the horizon and Joseph’s participation in it is completely left untapped, the omission CHEVALIER leaves behind is outright regrettable. That said, the grace note is that now anyone can freely savor new-discovered Joseph’s works to dispel any grievance, a justification of the low-hanging fruit sort.

Inhabiting in a cinematic world suffused with a glut of high-intention-low-execution biopics, audience has already had a bellyful, CHEVALIER is an umpteenth case in point. It is not okay to see talent and money get squandered in such a fashion, however noble the initiative is. Hereby, I rest my case.

referential entries: Milos Forman’s AMADEUS (1984, 8.9/10); Benoît Jacquot’s FAREWELL, MY QUEEN (2012, 6.4/10).

Title: Chevalier
Year: 2022
Genre: Biography, Drama, History
Country: USA
Language: English, Wolof
Director: Stephen Williams
Screenwriter: Stefani Robinson
Music: Kris Bowers
Cinematography: Jess Hall
Editor: John Axelrad
Cast:
Kelvin Harrison Jr.
Samara Weaving
Lucy Boynton
Marton Csokas
Ronke Adekoluejo
Minnie Driver
Alex Fitzalan
Sian Clifford
Henry Lloyd-Hughes
Joseph Prowen
Rating: 5.9/10

短评

identity liberty and music

8分钟前
  • SinCerity
  • 推荐

种族话题并没有给这部叙事很普通的电影贴太多金,是身份认同的讨论,配乐,表演撑起了这部电影。给历史注入当代的元素总是让人出戏,脏辫起源那么早吗?

9分钟前
  • Han
  • 推荐

角度非常新颖 爽剧 最后结束的太仓促虎头蛇尾 不过没想到是真人真事 还是很诧异的 从自己的小情小爱到格局打开 人物成长很自然

13分钟前
  • 竖子成名
  • 推荐

最后一段音乐真是太棒了

16分钟前
  • 一只虎鲸使劲
  • 推荐

失望大过期望。用非常现代的思想讲法国大革命爆发前的种族平权和(一点)性别平权故事,但另一方面电影的叙事本身又非常不平权,比如中老年女性歌唱家因为其身材和皱纹而被赋予笑柄,比如French Queen成为全片最大靶子但人物塑造一团糊涂。Montalembert(女主丈夫)歧视黑人,但主要只是嫉妒妻子和Joseph有一腿,影片前半段讨论的identity, nationality, equality逐渐被一些并不好看的私人恩怨淹没,直到最后法国群众(包括甚少交代其真实生活背景的黑人community)上街游行,才勉强回归正题。导演每塑造一个反派角色,必然从ta的性欲望上做文章。女歌唱家对男主求爱不成最终才会站在政治上的对立面;无法勇敢与男主私奔的女主最终才无法过上幸福生活。一切还是太沙文主义了。

21分钟前
  • 十一子
  • 还行

规整美国视角传记教育片,虽然root for主角,但反派也略肤浅了,制作规模撑起不少。真实人物故事更跌宕起伏并令人唏嘘。

23分钟前
  • 可可雨里
  • 还行

私心推荐。经典叙事,骑士传奇(骑士和贵妇人搞婚外情),但艺术家。别的不说结尾那一段音乐实在是太棒了,巴黎不愧是革命老区(bushi 从父亲的教诲到母亲的世界,我们也许都是这样长大的,世界上只有一种英雄主义,就是世界以痛吻我,我却报之以歌。

27分钟前
  • 系舟
  • 推荐

GFF 3.6 全片最赞给到音乐,剧情比较平铺直叙,但运镜不错(警察串场沙威+男主绿色那套衣服串场hamilton

28分钟前
  • Lyrissn
  • 推荐

差不多就是听了俩小时古典

31分钟前
  • 陶子
  • 还行

虽然是太过规整的传记叙事,虽然对于主角人物的刻画仍有一些不够深刻的地方,但在有限的文本里导演讲述了一个足够吸引人的故事,并让观众与他们共情。就这一点而言,电影成功做到了把Joseph Bologne这个被历史擦除的人物重新介绍给世界的目的。

33分钟前
  • _H
  • 推荐

虽然我不喜欢太狗血的传记片,但这也太无聊了点。主人公的悲沉痛和斗争都没表现出来

36分钟前
  • waking王小心
  • 较差

故事讲的也太差了吧

39分钟前
  • Rachel
  • 还行

多伦多国际电影节全球首映场,威尔士公主剧场观影体验非常棒,虽然剧情有点平铺直叙,但演员相当给力,成功地呈现了一位曾经被抹杀的传奇人物和他的传奇故事,现场很多人感动落泪。

43分钟前
  • Sophia
  • 推荐

和绿皮书的打破偏见比,这部的刻板印象十分庸俗。只能说观影体验不错,故事和画面都好。

46分钟前
  • 阿达
  • 还行

服化道、音乐、剪辑转场完全是瞪大眼睛的程度,中间把音乐剧筹备、感情、抗争几条线剪在一起丝滑转场看得我目瞪口呆,音乐起伏也恰到好处。

48分钟前
  • 加一份奥利奥碎
  • 力荐

年度十佳。

52分钟前
  • 冰湖守夜人
  • 力荐

虽然时代操蛋皂滑弄人,但是不得不说法国人民真是有乐品的革命好手。音乐很棒。

57分钟前
  • Untitled
  • 推荐

视觉听觉观赏性都比较强,不知道对真实历史还原度有多少。前半段剧情一般吧,后面经历过痛苦和失去,重新站起来追求真正有意义的人生还是很值得敬佩。回家找来他的音乐听了下,真的很像莫扎特的感觉。大部分失传真的很遗憾。

1小时前
  • 光与影
  • 推荐

音乐很棒,运镜太npd了,但还是不错,喜欢男主的好朋友

1小时前
  • 推荐

服化道、配乐、拍摄都挑不出毛病,但是这么正的设定为什么要配这么狗血的剧情Orz 男主实在是太像撒贝宁了,我脸盲我检讨。女主漂亮得像个洋娃娃,非常符合《beef》里形容的在家瞪着两个电灯泡。

1小时前
  • 天天天蓝
  • 推荐

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